![]() In the final quarter of 2014, Eastgate remedied this problem for the Macintosh, issuing an updated version on a removable solid-state drive connectable via Universal Serial Bus ("USB stick" or "thumb drive"). As operating systems outgrew its original software framework, Patchwork Girl became unreadable on many contemporary platforms, especially those running 64-bit systems. A second edition was issued in November, 2001 on CD-ROM, also for Windows and Macintosh, with new packaging. At some point demand for Patchwork Girl exceeded the print run of the folio, so Eastgate shipped new copies in a shrink-wrapped package out of expediency. As Jackson would write a little later on: "I see no reason why hypertext can't serve up an experience of satisfying closure not drastically different from that of reading a long and complicated novel, though it will do it differently" (" Stitch Bitch," 1998).Įastgate published Patchwork Girl on 3.5-inch diskette for Windows and Macintosh in October, 1995, presenting the disk and auxiliary material in a card stock "folio" with design by Eric Cohen. She began a second draft by eliminating all links from the project, developing a new concept with discrete narrative and thematic threads in which links were used more sparingly and logically. In particular, she decided to reconsider the over-abundance of links. Bernstein expressed immediate interest in publishing, though Jackson asked to defer, wanting to develop the work independently of its academic context. Traces of this first version survive as the "Broken Accents" thread in the published version.Īt some point in 1993, one of Jackson's teachers at Brown, probably either Landow or Robert Coover, showed her project to Mark Bernstein of Eastgate. The text Jackson produced in Storyspace was a meditation on gender, embodiment, textuality, and embodiment, using a strategy of intense cross-linking (possibly with links on nearly every word) to build a fabric of connections across passages of original and quoted material. Smith, to replace their own Intermedia system, rendered unusable after Apple dropped support for the version of Unix on which it ran. Brown had recently adopted Storyspace, the hypertext writing environment developed by Jay David Bolter, Michael Joyce, and John B. Students in Landow's course were required to produce their seminar project as a hypertext. Landow, who in the late 1980s had begun to explore hypertext as an extension and proving ground of poststructuralist theory. Jackson became particularly interested in the gaps, discontinuities, and strategies of resistance that are characteristic of Frankenstein - as well as its great theme of problematic embodiment and monstrosity.īy 1992-93 Jackson was enrolled in the Creative Writing program at Brown University and decided to take a class with George P. Mary Shelley's novel Frankenstein, or the Modern Prometheus was on the reading list, and Jackson was impressed by by Ronell's ability to bring contemporary cultural theory into dialogue with a literary classic. in Studio Art from Stanford or having recently finished, asked to sit in on a class at Berkeley taught by the critic Avital Ronell. Pathfinders Main Menu Introduction to Pathfinders An introduction to Pathfinders with detailed information about the project Judy Malloy's Uncle Roger Judy Malloy's Opening Page John McDaid's Uncle Buddy's Phantom Funhouse John McDaid's opening page for Uncle Buddy's Phantom Funhouse Shelley Jackson's Patchwork Girl This is the opening page of the Jackson Reading Path for Patchwork Girl Bill Bly's We Descend Bill Bly's opening page Traversals and Interviews Documentation The documentation used for the traversals and Interviews Authors' and Contributors' Bios The bios of those who authored and produced Pathfinders References and For Further Reading Books, essays, and non-print media informing Pathfinders Dene Grigar ae403ae38ea2a2cccdec0313e11579da14c92f28 Stuart Moulthrop 9c9acb26cbb23cd18ff78c8d37fb155e3ea862a5 Nouspace Publications | Washington State University Vancouver History of Shelley Jackson's Patchwork Girl 1 T15:41:52-07:00 Madeleine Philbrook 793490c7e41f4e0efe523b50970c1632a02f214b 3041 18 A historical account of Shelley Jackson's Patchwork Girl detailing the work's production plain T14:17:59-07:00 Stuart Moulthrop 9c9acb26cbb23cd18ff78c8d37fb155e3ea862a5 The pre-history of Patchwork Girl begins somewhere in the first years of the 1990s, when Shelley Jackson, either still working toward her A.B. Please enable Javascript and reload the page. This site requires Javascript to be turned on.
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